That Floating Excrement Was Way Too Symbolic! It's the TV Disappointments of the Year.

Looking back, we reflect on the TV offerings of the recent year, a handful of series stand out not for their excellence, but for their notable shortcomings. Ranging from cringe-inducing sequels to confusingly bad documentaries, here are the programmes that left us utterly bewildered or just reaching for the remote.

The 'Sex and the City' Sequel

Where to begin with this love/hate follow-up? Plagued with woeful writing, painful character development (justice for Miranda!), and a mere 71 seconds of fan-favourite Samantha, the series fought to find its footing. For a moment, as the third season started, it looked like it had at last found its groove. Then arrived an installment all about Seema’s natural deodorant. Little surprise the creator declared this would be the last series. It ended on a low point; the closeup of Miranda’s toilet full of poo was just way too symbolic. Still, viewers certainly had a hoot dissecting every single “what on earth?” moment. And as Carrie – once again single – twirled around her palatial townhouse to Barry White, who couldn't release a little sob?

The Kim Kardashian Drama

‘Can Kim Kardashian act? Of course she can’t.’

But that was practically the smallest of this drama's issues. The recipient of a very rare no-star assessment, it was hard to know where to begin enumerating the flaws. The laughably leaden dialogue? The tedious glorification of affluence and consumption? The almost wilful parade of tropes? Acting so poor they felt almost spiteful? Let’s just say “all of the above” and never speak of this show again. Except, a second season has been ordered, so we’re likely going to have to.

AKA Charlie Sheen

Given the legal troubles, domestic violence allegations and parental shortcomings, it’s fair to say Charlie Sheen has been a troubled figure. Not that you’d really have known it from this multi-part docuseries which chuckled along at Sheen’s various episodes of reckless excess while struggling to tell us anything we didn’t already know. Rather, it felt as if this loose cannon was being pandered to, so any sympathy this series might evoke should be saved for the people who have had to suffer close contact with this charismatic but flippant narcissist.

The Supercomputer Drama

Of course we knew it was preposterous from the get-go: a thriller about a supercomputer known as Charlie Big Potatoes that could either solve global crises – or annihilate all of humanity. We stuck with it out of pure admiration for its leads … but by the end, it felt like even they had given up trying. One scarcely cared when his character died, and the other ultimately slicing Charlie with an axe … in super slow-motion. That's what you call giving up the ghost.

MobLand

Dodgy characters meeting in deserted boxing gyms? A certain band's Firestarter jackhammering away in club scenes? The late 90s called and demands its gangland drama back.

In truth, that is unfair on the gangland dramas of the late 90s. Many seem a little dated now, but at least they didn’t suffer the embarrassment of having to accommodate baffling accents. But there were plenty of other issues. Primarily that it was just really boring; a conflict over narcotics territory between various London picaresques which felt a bit basic.

The Meghan Markle Series

Considering the degree to which she grinds the gears of the nation’s performatively enraged commentators, it’s almost tempting to applaud the Duchess of Sussex’s various ventures into twee lifestyle as intentional statements. But then you view them and are forced to admit that in this case, they might have a point. It’s like watching a lifestyle magazine come to life; a meme for evening drinks with delusions of grandeur; a procession of sleeping dogs, buzzing beehives, sentimental sayings and pointless crafting “tips” you’ll not remember instantly. All underpinned by immense, largely unearned wealth. Ugh.

The Beckham Documentary

There are clearly interesting things to be said about regarding Victoria Beckham and her journey with career, self-image, self-worth. But for whatever reason, this three-part series opted not to explore them. Rather, the experience was like reading a marketing catalogue. She obviously has every right to bridle at what she describes as her “miserable cow” image. But sadly, she failed to do herself any helps with this cagey non-event of a series.

The Game Show

It had the potential to be the next cultural phenomenon – except even more extravagant, with a glamorous star as a deceased benefactor and a sharp-tongued personality overseeing her estate. What more could you ask for? As contestants competed, there was plenty of betrayal and arguing. But the rules quickly became bewildering: it’s still too confusing to detail what precisely was happening. Even more regrettably, we only saw brief appearances of the star via filmed videos. The show ended up smelling of a programme that was trying way too hard to emulate something far greater than it.

Too Much

How does one follow a show that captured a generation? The expectation was enormous for this starry romcom about Jessica, a hopeful New Yorker who lands in London with a shattered romance. The lead actress seized the opportunity by the horns and was joyous to watch, embodying Austen levels of romantic notions. But it was all very slick and, ironically, was not enough. Plus, the sheer amount of celebrity friends involved felt uncomfortable.

The Sketch Show Return

Not even good enough to be ‘patchy’.

Given the shrewd recruitment of talented emerging comics, expectations were high. But unhappily, most of it fell flat. A recurring sketch was a single joke milked to a husk but recurring in every episode. One star seemed too willing to slip into a well-known ranting mode. The writing room sketches, meanwhile, simply provoked the thought that they should probably have stayed in there a while longer.

The Twisted Tale of Amanda Knox

This dramatisation of the story of Amanda Knox was overseen by Amanda Knox and pretty much exclusively presented the perspective of Amanda Knox. So, while there probably is an compelling drama to be made about the horrific 2007 murder, this isn’t it. The material needed to be treated with care. Instead, the series laboured awkwardly to find the right voice, lurching from strangely jaunty, somewhat mannered farce to ultimately, real-life horror. Complex? Perhaps. A complete mess? Absolutely.

The Maths Genius Thriller

We admire the lead actor … but did we buy him playing the greatest maths genius since, a man so intelligent he’s on the brink of a discovery that could ruin society? Nope! This international thriller about government agencies targeting – and killing off – academics frankly got more absurd by the second. Silliness-by-numbers.

The Bonnie Blue Documentary

This hagiography followed the online personality notorious for sexual escapades as she prepared for her most extreme feat yet. What on earth would motivate her? What we craved was way more interrogation of her true psychology, plus those of the men in the queue. They could at least have interviewed the legendary mum who showed up to haul her son out of the queue. What we got was disturbing shots and zero critical analysis of her notoriety whatsoever. It's staggering to consider, the filmmaker has a teenage daughter too.

Amy Crawford
Amy Crawford

Elara Vance is a digital strategist with over a decade of experience in tech journalism and online content creation.